Friday, January 18, 2002

And the winner is...
The top 10 contenders to take home the gold for Best Picture

Drama

“A Beautiful Mind”

Other nominations: Ron Howard, Best Director; Russell Crowe, Best Actor, Drama; Jennifer Connelly, Best Supporting Actress; Akiva Goldsman, Best Screenplay; James Horner, Best Original Score
Other key players: Ed Harris; Christopher Plummer; Paul Bettany
Biographical films tend to be about war heroes, government leaders and rock stars. Not this film. “A Beautiful Mind” is about a more obscure individual: John Nash (Russell Crowe).
John Nash, a mathematician notable for some of his work in economic theory, received a Noble Prize in 1994. Now, that’s the stuff that good movies are made of!
Director Ron Howard presents an engrossing story of this man’s life and takes audience members along for the journey. Howard makes sure everyone’s performance is at their best, and the technical aspects are not distracting but add to the wonderful performances by Crowe and other actors. Crowe has continually done a remarkable job at portraying unique characters, and this is the third year he has been honored for his acting.
Howard is also at the top of his game. This is the best thing he has directed since “Apollo 13.” This is a fascinating movie, which will become one of this year’s prime award caliber productions.

“In the Bedroom”

Other nominations: Sissy Spacek, Best Actress, Drama; Marisa Tomei, Best Supporting Actress
Other key players: Todd Fields, Director; Tom Wilkinson; Nick Stahl; William Mopother
The title of this film makes it sound like it is a steamy story of lust and passion. The initial premise agrees.
It is a story of a college-aged boy (Nick Stahl)having a summer fling with a married woman (Marisa Tomei) 10 years older than he is. The boy’s parents (Tom Wilkinson and Sissy Spacek) have different feelings about therelationship their son is having.
This movie is not a movie about love and sex. Its title, “In the Bedroom” is a term used by lobstermen. This title eventually becomes a metaphor about some of the more dramatic events that occur in this movie.
The film is well directed by Todd Field, who makes his directoral debut. What really makes this film work is the role that the amazing characterization done by Wilkinson and Spacek. We see these two actors change and become more detailed and engrossing with each passing scene. They push this film over the top.

“The Lord of the Rings: The Fellowship of the Rings”

Other nominations: Peter Jackson, Best Director; Howard Shore, Best Original Score; “May It Be”, Best Original Song
Other key players: Elijah Wood; Billy Boyd; Sean Astin; Ian McKellen; Ian Holm; Viggo Mortesen; Orlando Bloom; Liv Tyler; Cate Blanchett
At this point it’s a little too early to tell, but it would not be unforeseen if, when all is said and done, this adaptation of J.R.R. Tolkien’s classic book reigns over “Harry Potter and the Sorcerer’s Stone” for the year 2001. Director Peter Jackson takes his audience into a new world, as he turns the landscapes of New Zealand into the fascinating places of wizards, elves, ogres and hobbits. Yes, hobbits.
Yet the fascinating story deals with more then just a fantasy adventure. Tolkien’s tale deals with greater truths about life and people. Jackson’s magic comes with transferring these grander ideas onto the screen in palpable ways. The story deals with power, humility, honesty, friendship and will. Frodo Baggins (Elijah Wood), a hobbit, by a twist of fate finds himself leaving his home on a dangerous adventure to destroy a ring which could allow undefeatable evil to creep into the world.
At about three hours long, some people may get a little squirmy, but the majority of viewers will be eager to see the rest of trilogy unfold over the next two years.
Jackson and his crew has taken a number of risks in taking on this massive production, and with the faithfulness to the story, and the great deal of energy put into the technical production of the piece, this film has found success that should transcend this year and carry itself into the future.

“Mulholland Dr.”

Other nominations: David Lynch, Best Director; David Lynch, Best Screenplay; Andrew Badalamenti, Best Original Score
Other key players: Naomi Watts; Laura Elena Harring; Justin Theroux; Ann Miller; Dan Hedaya
This film has the potential of being one of the top movies for coffee shop talk of the year. Pull up a chair, sip some latte, and maybe, if you’re lucky you may even walk away having an understanding of one of the strangest movies of the year. However, chances are you missed it and never saw this film. It was released in October and never went to wide release, and only recently with award season has it recieved greater recognition.
The film comes from director David Lynch, and is actually a collection of scenes that were regionally made as a pilot for a television show to air on ABC. So needless to say, the movie was not filmed with the intentions of which it was packaged.
The movie is the story of a woman (Laura Harring) who is abandoned on Mulholland Dr. with amnesia after her limousine gets in a head on collision with a drag racer, but this saves her from being murdered. She can’t even remember her name, so upon entering a house and meeting Betty (Naomi Watts), she says that her name is Rita seeing a poster of Rita Hayworth.
Yet, the movie is dreamlike, strange and really reaches no conclusion, as audience members ask about what is and isn’t real. This movie scored big at the Sundance film festival and with critics, but with average movie audiences, the same results are not so likely.

“The Man who Wasn’t There”

Other nominations: Billy Bob Thornton, Best Actor, Drama; Joel and Ethan Coen, Best Screenplay
Other key Players: Joel Coen, Director; Frances McDormand; James Gandolfini; Michael Badalucco; Tony Shalhoub
No one can expect the Coen brothers to tell a typical story or tell it in a typical way. While this may not be a musical like “O Brother Where Art Thou?” it is told as film noir — literally a “black film” — and to accomplish this the Coen brothers present their story in black and white. Film noir does not try to glorify society, rather it tries to show its dirty underbelly.
Such is the case in this film. This is the story of Ed Crane (Billy Bob Thornton), a barber who is shy and is willing to do some things in life differently, even at the expense of others. Crane realizes that his wife Dorris (Frances McDormand) is having an affair with her boss (James Gandolfini). Crane gets a strange opportunity to creatively add some change to his boring Santa Rosa, Calif. life. He decides to blackmail Dorris’ boss in hopes of investing in a new process called “dry cleaning.”
The story is somewhat fun, and it has its moments of excitement and interest. Yet just as it has its high points it has it low points as well. The acting and cinematography is great, but the screenplay is a little weak (which makes me curious why it has received some of its more recent nominations).
If you only see one movie this year, this is certainly one you can do without seeing, but someone who is looking for something a little different and unique should not be afraid to check this film out. It’s creative and is a beautiful technical film to watch.

Musical or Comedy

“Moulin Rouge!”

Other nominations: Baz Luhrmann, Best Director; Nicole Kidman, Best Actress, Musical or Comedy; Ewan McGregor, Best Actor, Musical or Comedy; Craig Armstrong, Best Original Score; “Come What May,” Best Original Song
Other key players: John Leguizamo, Jim Broadbent, Richard Roxburgh
Most critics loved it. Audiences ranted while some complained. Yet everyone agrees this film is different from anything else in 2001. The story is simple, and almost typical. A young starving artist (Ewan McGregor) falls for a woman (Nicole Kidman) it would appear he can’t have.
What makes this film different? It’s a musical. But wait, it’s not like “Sound of Music” or “South Pacific.” Not this one. It takes place primarily in a burlesque house.
And as far as musicals go, this one only has one original song. The rest of it is pilfered and revised. The songs range from Madonna’s “Like a Virgin” to Nat King Coles’ “Nature Boy.”
So maybe to find the roots of this film we need to try to look toward some of Australian director, Baz Luhrmann’s past productions. Two seem very important. The first is his popular modernized take of the classic tale of “Romeo + Juliet.” The second is his musical where he rearranged “Shakespeare’s A Midsummer Night’s Dream” to take place in India.
Yet the honors bestowed on this film belong to everyone involved. Nicole Kidman is amazing, who knew she could sing? This is definitely shaping itself up to Kidman’s year. In addition, the technical opportunities this film provided allowed art directors, set designers and other film artists take on a once-in-a-lifetime project. And without a doubt, they did it well.

“Gosford Park”

Other nominations: Robert Altman, Best Director; Helen Mirren, Best Supporting Actress; Maggie Smith, Best Supporting Actress; Jullian Fellows,Best Screenplay
Other key players: Michael Gambon; Eileen Atkins; Bob Balaban; Alan Bates; Stephen Fry; Derek Jacobi; Kelly Macdonald; Jeremy Northam; Clive Owen; Ryan Phillippe; Kristin Scott Thomas; Emily Watson
Mr. Green, in the conservatory, with a lead pipe.
Okay, well the story isn’t quiet the same as the board game “Clue”, but this large British ensemble piece has a pretty similar premise. Sir William McCordle (Michael Gambon) and Lady Sylvia McCordle (Kristin Scott Thomas) invite some very well-to-do people to their home for a party. A slew of characters are presented and when everything seems in place with the wealthy upstairs and the servants downstairs, there is a murder.
Who did it? That is the question everyone’s asking and the detective (Stephen Fry) is there to help. It appears there could be two guilty parties as the murdered person is both stabbed and poisoned. This unforeseen circumstance of course turns the house upside down, as it seems that there are plenty of motives.
Veteran director Robert Altman, adds a new film to his collection of well regarded films, from “Mash” to “Short Cuts.” Critics applaud his effort as he takes so many characters and intricately interlaces them into this enjoyable film.
The challenges don’t necessarily bring out the best qualities of the characters in the film, but the challenges certainly bring out some great performances by the actors playing these characters.

“Legally Blonde”

Other nomination: Reese Witherspoon, Best Actress, Musical or Comedy
Other key players: Luke Wilson; Matthew Davis; Selma Blair
The submission of this film running as a best picture candidate may make you laugh. But then again, this is the comedy category and this film fits the bill wonderfully.
In the tradition of movies like “Clueless,” this film tells the story of the beautiful, popular, sorority girl Elle Woods (Reese Witherspoon).
Elle Woods was convinced that her boyfriend Warner Hutchington III (Matthew Davis) was going to propose to her, but instead he dumps her because she’s not the right type of girl to fulfill his goals and dreams in the world of public politics. Elle Woods is the type of girl that gets what she wants, so she dedicates herself to becoming Warner’s perfect match, at any cost.
This leads Elle to pursue admittance into Harvard, thinking that will win Warner over. During the course of the film we see a little luck and little strength of will can lead a girl through any series of obstacles.
And when push comes to shove, it’s clear that it all comes down to a little bit of heart. Well, a little bit of heart, and the perfect outfit (duh!). Witherspoon gets critical praise for everything she does, despite the fact it’s usually not typical award fodder. Nevertheless, she was amazing and succeeded in this role.
It’s a formula film were everything happens exactly as you might expect it to, but some how, in this film it’s okay. In a time when so few movies play to their audiences, and they all try to spice things up with a surprise end.

“Bridget Jones’s Diary”

Other nominations: Renée Zellwegger, Best Actress, Musical or Comedy;
Other key players: Colin Firth; Hugh Grant; Gemma Jones; Jim Broadbent
With its British feel, Bridget Jones’s Diary strives off the acting of Zellwegger, a Texan who excels at a British accent. This movie comes from a popular book by Helen Fielding who wrote a fictional diary of a woman named Bridget Jones (Zellwegger).
In this story, Bridget Jones records her thoughts in a diary after she turns 32 and realizes that her life is nothing like she would choose it to be. She records in her diary how much she eats, drinks and smokes, as her love life takes interesting twists as two men enter and re-enter her life. The first man is Mark Darcy (Colin Firth) who her mother trys to set her up with at a Christmas party. The second man is Daniel Clever (Hugh Grant), her boss, who she begins to get a little frisky with, starting with some office e-mails.
The movie gives us a chance to laugh at some funny, yet sad, situations that Zellweger’s character falls into. Everything from her playboy bunny costume at a child’s party, to her debate over the appropriate underwear to wear on a date. The story has its cute turns, and doesn’t fail to create its share of giggles and surprises. Who knows, there may be even more with a sequel currently in discussion?

“Shrek”

Other nomination: none
Key players: Mike Myers; Eddie Murphy; Cameron Diaz; John Lithgow
The popular success story of a children’s movie that entertains adults has struck again. This time in the story of a funny green ogre named Shrek (voice of Mike Myers). The film takes the newest innovations in animation and some of pop culture’s comedy icons and send the jokes flying, while Robin Hood roams, the merry men sing and the gingerbread man is tortured. For different people, the magic of the film seems to come from different places. Is it the Smash Mouth rendition of the Monkee’s classic “I’m a Believer”? Or then again, maybe it’s the love story that reminds viewers of “Beauty and the Beast.”
Yet, it seems to me that the success comes primarily from the attention to detail on behalf of everyone’s part. Mike Myers re-recorded the lines after he decided the script might work better with a Scottish accent.
Computer animation moved from capturing opaque objects like toys and bugs, and moved to fleshy objects like this shiny green guy (who even offers an occasional blush). The writing team was as creative as they come, offering jokes on every level and even being so creative as to name their title character Shrek in the first place. Few know it, but the word shrek actually means monster in Yiddish.
This film is all about entertainment, in whatever way you want to enjoy it. But it’s a pretty sure bet that you won’t go home disappointed. Unless of course, you’re a heartless midget king.

The Golden Globes are 7 p.m. Sunday on NBC KXAS Channel 5


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TCU Daily Skiff © 2002


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