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Corporate
radio forces bands to
conform sound
By Jeff Dennis
Skiff Staff
I
quit.
Listening
to corporate radio, that is.
Bands
such as Default and Puddle of Mudd, who essentially arent
doing anything out of the ordinary, are currently in heavy rotation
on radio stations across the country. Though undeniably talented
musicians, these bands have reached stardom not because of innovation,
but because of their ability to produce a product which record companies
foresee as profitable. The end result then, is that radio listeners
get to hear a big pile of homogenized garbage.
In
the 1960s, artists were constantly coming upon new styles and approaches
for their music, and some of the most influential American bands
came into existence during this time. Clearly, some record companies
made huge profits off of the music of the 60s, but these profits
were a result of bands who gained popularity by breaking boundaries
and transforming the way people thought about music and about the
world.
Millions
of people worldwide mourned the death of former Beatle George Harrison,
an artist who maintained his integrity throughout his musical career.
The Beatles obtained their status as pillars of the musical community
not by having a couple of mediocre hits, but by creating musical
masterpieces which transformed constantly, leaving listeners unsure
of what to expect.
One
must wonder if any of the music celebrities of today will be mourned
as many of the icons of the 60s have been mourned following
their deaths in previous years. Will the nation be shocked and sorrowed
in years to come when the singer for Nickelback passes on? In fact,
does anyone even know the name of the singer, other than as the
long-haired guy with the cheesy goatee?
The
homogenization of popular music has created a system with little
room for innovators to break into the mainstream. Certainly there
are more genres of music than existed in the 60s, but we barely
hear any variety from the genres which are prevalent.
Sure
it is great to see listeners open to such a diverse range of music,
but this leads to them only hearing the music they are spoon fed
by the record companies and corporate radio stations, which is overall
a very poor selection of innovative music. It seems we have been
forced to substitute quality music for music that simply rakes in
the most money.
Those
of you who are fans of artists who do not fit the mold of mainstream
music are likely very aware of the tendency of a company to pick
up an artist in hopes that they will be the next big thing,
and then drop the artist from the record label after it turns out
they dont have the potential for national stardom the company
once thought.
A good
example of this is local band Sugarbomb, who was signed to RCA after
only a few years of playing locally, only to be dropped by the label
after only moderate success in the national market. Because of incidents
such as this, bands are forced to either conform to making what
the music corporate record companies want, or to exist in obscurity
as an artist who challenges the norms of mainstream music.
Unfortunately,
obscurity doesnt pay the bills, so incredibly talented artists
who are unwilling to conform are left to pinch pennies and try to
continue to make music and work a job that does pay their expenses.
As
long as we continue to support the homogenization of radio, independent
musicians who challenge the mainstream will never have a chance
to be heard by a large audience of people.
It
seems aspiring musicians would be better off in business school
than in a garage band.
Jeff
Dennis is a junior history major from Gail.
He can be contacted at (j.a.dennis@student.tcu.edu).
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